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Production Notes

Guitars, Bass, 17 string Lyre, Vocals, Percussion, Programming: PS Perkins
Drums, percussion: R Thomas
Mixed and mastered by Mystic Tape Deck

A Mystic Tape Deck production &cOPYL2025

Lyric Sheet

it's in the air it's in the seed
it's in the want it's in the need
it's in the bottle

it's in the breath it's in the word
it's in the mouse it's in the bird
it's in the bottle

All we sow
All we grow
Everything which ripens in the sun

All who bleed
All with seed
Everything is soil when it comes undone

it's in the soil it's in the root
it's in the stem it's in the fruit
it's in the bottle

it's in the stars it's in the sky
it's in the truth it's in the lie
it's in the bottle

All we sow
All we grow
Everything which ripens in the sun

All who bleed
All with seed
Everything is soil when it comes undone

it's in the will it's in the feral
it's in the still it's in the barrel
it's in the bottle

it's in the heart it's in the mind
it's in the stomach it's in the spine
it's in the bottle

it's in the thorn it's in the rose
it's on your tongue it's in your nose
it's in the bottle

it's in the book it's on the wall
it's in the jump it's in the fall
it's in the bottle

Addendums

Deep into the ochre soil reach the rootstock rhizomes – they slurp in silence, imperceptible
Ingesting, consuming through narrow capillaries, the turgor suspended skyscraper fundament
Spread out splashing, the kiss of Phoebus, springing sunlight rays to blossom bask and bequeath
Exchanges of briny cool Adriatic mist, soft estuary breezes and ephemeral pluvial streams
Firework flowers of bulbous wild garlic, fuzzy spiked petals of Stella Alpina, tangles of wild asparagus
Bowed heads of dew drenched Anacamptis, stoic alpine Ibex cling tenaciously to frostbitten cliffsides
Mossy stones of ancient Roman roads, trounced by leathery boots battle worn and marching
The rain runs off in rivulets, collecting in the creases of concrete seams carrying tiny pebbles
Soaking deep into the rich russet earth, streaming down sedgy hillside glades
Amassing algae-streaked ponds where bulging throats of tree frogs croak from thickets of reeds
Taciturn truffles and scampering salamanders snuggle into blankets of lichens and litterfall
Little brown beetles, woodlice, worms and millipedes scurry and scratch beneath the humus
The faraway neigh of Camargue horses nibbling at grasses where geese glide with the moon on their wings
Twisting burls of vines, crimped corkscrew curls from the roots to the tiny tender tendril curtains
Bleeding spring sap as the bud scales wither at the spurs where cordons jut and squirt like wild green fountains
Friable ferrous mounds of buttage give way to clinging loess dusted with carbonate and chalk
Grafted scions melding, calluses crusting over careful cuttings springing vigorous vines
Fattened fruit hang from them in bunches, translucent globes draped like sparkling pearls
The star shaped leaves suspended from an overhead trellis shade and shelter embryonic eyes
Soon the soft padding feet of the pickers waddling will arrive when the sun whispers raisins
Snipping pedicel from peduncle, pulling away gently from the tangles and trellis clingers
Clipped and collected in stacks of stained wooden crates and worn and woven shoulder baskets
Vast heaps of stem and fruit, washed and separated while harvest meats smoke over crackling evening fires
Cheerful talk and laughter, hands and feet stained a vibrant royal plum, a swirling sea of sweet juices
The must amassed in the massive vats, mixed and sweetened, married to the hungry fungus
Covering cloths conceal in underground earthen chambers while the yeast bubbles and froths
Eleven days this way, phenols and tannins burst into the ripening air, pips sink and see-saw to the bottom
Scooping off the foamy froth and siphoning away the murky juice, leaving loosened sediment sitting
Now squeezed by massive rollers and crank presses, the sweetened juice dripping into cisterns
Sweet sugars souring with a bitter bite, racked and filtered, flowing through scarlet stained spigots
A sample held up to the sun, the light passing through the translucent amaranthine nectar
The coopers busy building barrels, sanding smooth of slivers, steaming and bending aged oak slats
Wrapped with bands of hammered iron strips and fastened with wide flattened rivets
The barrels are filled to the very brim and stopped with carved bark stripped from cork oaks
Back into the dusty musty darkness of underground earth lined chambers where it rests
The pickers padding steps across the soil where the vines begin drooping and dropping
Pruning away perennial remnants, pulling weeds and rebutting roots with shoveled soil
All the while, the carefully stowed and reticent Riesling ripening in reclusion
Until such a day, the Vintner taps the first barrel, a swirling crimson tempest in the glass
Aromas wafting, the fields, the frogs, the foxy wet fur, the tepid ponds and flowering hillsides
The asparagus and wild garlic, the rivulets of rain off ancient roman roads, the running horses
The mossy stones and slippery salamanders, the breath and hands of the pickers dusted with chalk
Shrikes and doves and stilts, Adriatic salts and cool river drafts, worms wriggling through wet soil
It is all there, the essence of the entire earth brought into being, ripened and fermented
Transformed into a tingling under the nose, a touch upon the tender palate, thinning blood rushing capillaries
The universe distilled

BARDS: Of The Shimmering Seraphs
BARDS: Of The Shimmering Seraphs

Of The Shimmering Seraphs concerns itself with the interior landscape of the human spirit. Its twelve songs correspond to the opening sequence of the Nazilic Arcana, an initiatory collection of archetypes preserved throughout the Bell Archive.

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Marginalia

Annotation 03-03A: On the Identity of the Vintner

Among the agricultural archetypes preserved in Nazilic literature, the Vintner occupies a uniquely elevated position. While several surviving records identify the figure with Cosimo Foscari, a semi-legendary cultivator active along the northeastern Adriatic during the late fifteenth century, most contemporary scholars regard such identifications as secondary to the archetypal role being expressed. The poem's attention to grafting, fermentation, cultivation, and transformation has led many commentators to interpret the Vintner as an embodiment of the principle of integration itself. In this reading, the vineyard serves not merely as an agricultural setting but as a symbolic model of reality, wherein countless disparate elements are gradually united into a coherent whole through patience, stewardship, and time.

Annotation 03-03B: Concerning the Doctrine of Terroir

Particular attention has been given to the closing passages of the fragment, in which the finished wine is said to contain the fields, animals, weather, laborers, roads, stones, and waterways from which it emerged. This idea bears strong resemblance to what later Nazilic writers would call the Doctrine of Terroir, the proposition that every object contains within itself a hidden record of the conditions which produced it. Some schools extended this concept far beyond agriculture, applying it to books, songs, cities, religions, and even individuals. According to one influential commentary, the Vintner's true art is not the production of wine but the preservation of relationship. The resulting vessel becomes a kind of liquid archive, carrying forward the memory of an entire landscape in concentrated form. For this reason the Vintner is frequently associated with the collection of shards, the reconciliation of opposites, and the transformation of scattered experiences into unified meaning.