Production Notes
"The Roadside Ghost" by PS Perkins and R Thomas
Guitars, bass, vocals, synths: PS Perkins
Drums, percussion: R Thomas
Featuring Wendy DuMond aka "Bog Witch" on phantom background vocals
Mixed and mastered gy Mystic Tape Deck
A Mystic Tape Deck production ©2025
Lyric Sheet
Out on the street, people you'll never meet
Struggling just to survive
You wouldn't want to be them, pretend you don't see them,
Just roll up your windows and drive
But the ghosts are not dead, and they're not in your head
They're just waiting right there to be seen
There's no way of knowing and the rowers keep rowing
Going somewhere that you've never been
Whoa, weary walkers, may I lighten your load?
The night is so long and you're hearing my song
As you sleep at the side of the road
Whoa, weary walkers! How may I lighten your load?
The days turn to ash with no cars whizzing past
Where only the strangers belong
The desert is wide, and then once you're inside
You are hypnotized by its song
With a guitar to strum, the ghost sticks out its thumb
But it no longer hopes for a ride
Just shuffles along to the beat of the song
To lie down by the river side, dreaming....
Whoa, weary walkers, may I lighten your load?
The night is so long and you're hearing my song
As you sleep at the side of the road
Whoa, weary walkers! How may I lighten your load?
With silence to ponder it's hard not to wander
Your mind becomes vacant and free
No matter the cost, all who wander are lost
Swallowed up by the sagebrush sea
Your forever host is the roadside ghost
And it's broadcasting now on the breeze
You'll see there's no choice, there is only the voice:
"Follow me, follow me, follow me....."
Singing
Whoa, weary walkers, may I lighten your load?
The night is so long and you're hearing my song
As you sleep at the side of the road
Whoa, weary walkers! How may I lighten your load?
Addendums
Out here the sky is just wider they say
The cold is much colder, the dry much drier
And the wild is just wilder
It will change you without your permission
It requires no submission, no admission, this perdition
A radio tuner hidden in the mind, it’s knobs twisted
An array of antennas listening beyond deep space
Turning their wide and wan faces orbitally tracking
Scanning the waves littering the unseen landscapes
Oscillations becoming piercing poniard rays
Thrashing through windows illuminating floating motes of dust
Which swirl and dance on eddies of temperate turbulence
Stirred by slender slinking feline movements
Inspired, disturbed, affected
For some the plangent clanging served a steady beacon
Crude carillons running roughshod over others
Ushering them into the faded rusted yellow cabs
Idling at the curbside with an eerie silent sentience
Whisking them through the mottled shade and sun
Coasting winding jungle roads and into crystal caves
Where humming subterranean supercomputers
Penetrate and probe their squishy oozing meat brains
Entering the nascent nuclei, the recipe released
Transcribing the unspeakable sequences unique and holy
The hushed clicking of the hard drives locating writable sectors
A dull mechanical whirring as the magnetic stripe is encoded
Sequential instructions for manual reassembly
Operations much too delicate for the clumsy hands of humans
Machines of mythology, from the future delivered far into the past
To fall into the warm clasp of the mythical mothers’ arms
Where the heavenly heartbeat ebbs and throbs
Many others merely drifting drab and sullen specters
Wandering off the shoulders into the widening expanse
A vast and measureless desert to disappear into
Lies in wait, a beckoning, a welcoming, an embrace
Becoming invisible, unapparent, intangible
Veering into vaporous vagabondage
Tattered cardboard signs scrawled with scribbled glyphs
Indecipherable epigrams, tragic and acutely angular
The bells turned to howls, like the roaring of the wind
Rippling through riparian ravines and cavernous crypts
Under the gaze of eidolic idols weathered and worn
Their voice and visage waxen and wan, fuliginous
Creeping toward a crusting crepuscular
As that which amongst us we choose not to see
Chooses in its own turn not to be seen
Passing through into the pale purlieu
Sleeping at the side of the road with a bundle of blankets
Where the tall straight rows of cottonwoods grow
Drifting off into sleep eternal and listlessness
Beside the ever-burbling bubbling brook
Where none but coyotes lap quietly at its jagged egdes
Content to doze dazedly dancing into deaths bony embrace
Yet others still heard nothing.
The sonorous signal never penetrating their consciousness
Their lives continuing as they had, patterned and drab
Remaining convivially compliant and conformable
They roll up the windows in their vehicles when driving past
Or turn their heads to not meet the gaze of monsters manifest
Fading further with each passing plume of road dust
Unacquainted with the rippling undercurrents
Their lives remain unchanged by what is unheard
As the experience speeds and swerves around them
They are the least interesting, the bit part actors
Extras in the scene, to simulate a sort of realness
The credits roll at closing - their name is not among them
A reality we are prone and primed to readily ingest
The wheel of fortune spinning, dazzling the guests
With glitter and money and fantastic plastic prizes
A miniscule pill far too easy to swallow
Gulped down with a gasping breath, unbeknownst
Unknowingly saved, plucked up by pinching fingers
From a fate they would now never know
And never understand
BARDS: Of The Shimmering Seraphs
Of The Shimmering Seraphs concerns itself with the interior landscape of the human spirit. Its twelve songs correspond to the opening sequence of the Nazilic Arcana, an initiatory collection of archetypes preserved throughout the Bell Archive.
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Annotation 03-10D: Concerning the Roadside Ghost
The Roadside Ghost occupies an unusual position within the corpus of Nazilic archetypes. Unlike the others, the Ghost possesses neither a defined vocation nor a clearly articulated purpose. Instead, it is almost exclusively associated with thresholds, departures, disappearances, and states of transition. Surviving commentaries frequently describe the Ghost as one who has become detached from ordinary social narratives without having arrived at an alternative destination.
Several scholars have noted that the poem's recurring imagery of highways, roadside shoulders, deserts, and transient shelters are essentially what one would classify as liminal environments. Such locations are often regarded as particularly favorable for the emergence of causal corrections and other anomalous experiences. For this reason, the Roadside Ghost is interpreted not as a persona, but as a condition of consciousness arising when individuals become suspended between identities.
Annotation 03-10E: On the Three Hearings
Particular attention has been given to the poem's tripartite structure. The first section concerns individuals who hear the signal and follow it into the hidden machinery of reality. The second concerns those who hear the signal but drift beyond the boundaries of ordinary society. The third concerns those who remain entirely unaware of its existence.
Interpretations vary considerably. Some regard the three groups as representing distinct classes of individuals. Others propose that they describe phases through which a single person may pass over the course of a lifetime. The Department presently favors the latter interpretation, owing to the frequency with which all three conditions appear within individual autobiographical accounts preserved in the Archive.
Annotation 03-10F: Concerning the Bell Signal
The bells resemble the descriptions found in many Bell Path accounts. The similarity is hard to ignore. The signal affects each recipient differently. Some follow it to enlightenment. Some go into seclusion. Some disappear altogether. In many accounts, even death may occur.
For this reason, Bell commentators have wondered if the signal has an intent of its own. One traditional interpretation views the signal as an amplifier. It amplifies the natural inclinations that exist. The signal merely shows the path that is already there.
This interpretation has received much support in the Archive. The bell need not call. It may only show what the listener is following.
The last lines are harder to interpret. A few commentators have pointed out how the lines imply some unseen protection. Some people are protected from experiences beyond their comprehension.
Similar passages occur in several later doctrines. They are related to intervention, causation, and the maintenance of ignorance. No consensus has been reached by the Archive on the latter issue.
It is still unclear whether ignorance is protecting or weakening the individual.