Production Notes
All guitars, synths, programming, vocals: PS Perkins
Mixed and mastered by Mystic Tape Deck ©2020
Lyric Sheet
The streets are all empty with no one to roam
Nobody is knocking, and there’s no one at home
All the soft comforts have turned into stone
An empty can rattles amongst mountains of bone
How could they have known
They were on the eve of destruction?
Never any winners in the games that they played
Binding no mercy in the gods they portrayed
Their hearts became empty, alone and afraid
Standing for nothing, their purpose decayed
Their bed had been made,
They were on the eve of destruction
Brandishing axes, chopping down trees
To carve out the ark now adrift in the seas
But it’s sails remain empty, they capture no breeze
Millions of people asleep on their knees
Refusing to see,
They were on the eve of destruction
The pyres were assembled and soon set to flame
To Burn all the witches they had chosen to blame
Shouting in anger their pride knew no shame
Reducing to ashes what they could not tame
It’s always the same,
Upon the eve of destruction
How could they know
They were on the eve of destruction
No seed left to sow,
They were on the eve of destruction
Someone to blame upon the eve of destruction
It’s always the same upon the eve of destruction
Addendums
The Shining One makes prophecies about the coming doom facing humanity, pointing to it’s essential causes and inescapable conclusion.
BARDS: Of The Morning Star
Of The Morning Star is generally regarded as the foundational musical text of the Nazilic tradition. More than a collection of songs, it presents a complete cosmology in thirteen movements
Buy on BandcampMarginalia
Annotation 01-10A: The Eve That Is Never Recognized
Bell historians have frequently observed that no civilization preserved in the Archive ever believed itself to be standing upon the threshold of its own collapse. The phrase "eve of destruction" therefore possesses a double meaning. It denotes both the period immediately preceding catastrophe and humanity's remarkable inability to recognize that such a period is occurring while living within it. According to later Bell scholarship, civilizations rarely perish because they fail to receive warnings. They perish because ordinary life continues to feel ordinary until the moment it cannot.
Annotation 01-10B: Empty Streets and Comfortable Stone
The fragment opens not with violence but with absence. This has prompted several commentators to argue that destruction, within Nazilic philosophy, begins long before cities burn or kingdoms fall. The transformation of "soft comforts" into stone is generally interpreted as the gradual hardening of imagination itself. Bell philosophers frequently associated comfort with increasing rigidity, observing that civilizations most often become incapable of adaptation during periods of greatest apparent stability.
Bell Archive Note C-71 remarks:
"A city does not become empty when its people leave.
It becomes empty when nothing new can enter."
Annotation 01-10C: The Ark Without Wind
Among the fragment's most discussed images is the unfinished ark whose sails remain motionless despite immense labor. Bell scholars have traditionally rejected interpretations linking the vessel to salvation. Instead, the ark is understood as humanity's perpetual attempt to engineer escape while refusing to address the conditions producing catastrophe. Throughout Nazilic doctrine, preparation without transformation merely transports old errors into new worlds.
One marginal annotation simply reads:
"They built the vessel.
They forgot the weather."
Annotation 01-10D: The Eternal Witch Hunt
The repeated image of burning witches has generally been interpreted less as a reference to any single historical persecution than as an archetype recurring whenever societies confront crises they cannot understand. Bell historians have often noted that the identities of those condemned vary dramatically across cultures and centuries while the underlying mechanism remains almost unchanged. Within Phenominomics, scapegoating is therefore classified as one of history's most persistent recursive structures—a causal reflex by which communities preserve certainty at the expense of truth.
Annotation 01-10E: The Failure to Sow
The closing refrain laments that there remained "no seed left to sow." Bell commentators have returned to this passage repeatedly. Few regard the image as agricultural alone.
Throughout the Archive, seeds often represent unrealized futures. They signify possibilities not yet chosen. They preserve the expectation of change.
Several Bell scholars associate this passage with Accidental Orthodoxy. A people who abandon curiosity eventually abandon imagination. New futures become difficult to conceive. The old ones simply repeat. Many commentators regard the final harvest as consequence rather than judgment.
Annotation 01-10F: It Is Always the Same
Perhaps no line within the fragment has generated more commentary than its repeated conclusion. Early readers understood the phrase pessimistically, believing it expressed fatalistic resignation before the Cycle. Modern Bell scholarship overwhelmingly rejects this interpretation. The repetition does not imply that history cannot change. Rather, it suggests that history continues repeating because the same patterns remain unrecognized.
Bell philosopher Franklin Bell summarized the matter succinctly:
"The tragedy was never that the Cycle returned.
The tragedy was that each generation insisted it had never seen it before."